...glass, transparent and
denying its own existence
sparkles like three dimensional
chips of paint
and light
hovering above the surface,
its reflection
obscuring the relationship below.
Structural elements peer out, enshrouded in
an unknown individual history. They speak
of time on a grand scale, natural scars,
and the marks of the past
frozen in the illusion
of movement.
Abrams, Frederick S. Glass Magazine. March, 1980, pp. 20-21.
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Hawkins, Margaret. Chicago Sun-Times. October 23, 1992, p. 25.
Klein, Dan. Glass; A Contemporary Art. London: Rizzoli International, Inc., 1989.
Onaran, Elizabeth; ed. Whos Who in American Art, 94/02. R. R. Bowker, Pub. New Providence, NJ.
Royant, Olivier. Scope 90; (French). Snoeks 90; (Belgique). Les Milliardaires AmÈricains Ont MisÈ Sur La Peinture (SoHo Sous lEmpire de LArt). Edited by Snoeck-Ducaju & Zoon s.a. Bruxelles: Didier Hatier, 1989.
Russo, Rosella; ed. Whos Who in International Art, 97/02. Lausanne, Switzerland.
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Schneider, Robert. Der Landbote, Hinterthin. 1985.
Scott, Martha B. Art Voices. July, 1981, pp. 85-86.
Silberman, Robert. Art in America. March, 1985, pp. 50-51.
Warmus, William. Americans In Glass. 1984.
Yelle, Richard. Glass Art - Urban Glass. Atglen, PA: Schiffer Publishing, Ltd. 2000